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[Album Review] Trivium – “Vengeance Falls”

Orlando, Florida’s Trivium have made a point to deliver an entirely different collection of music with each studio release. Coming off the heels of 2011’s standard metalcore album, In Waves, 2013’s Vengeance Falls treads experimental waters with more of an industrial sound. Despite its superiority over In Waves, the new record does not meet the prowess of 2008’s ShogunShogun was easily the definitive Trivium record thus far, showing the band’s full potential in every form of musicianship.  Shogun was a coming of age for the group of metalhead 20-somethings.

Although In Waves might have set them back a bit, Vengeance Falls has partially redeemed the band. As publicized, the new album was produced by Disturbed/Device vocalist David Draiman. The musicianship on Vengeance Falls shows that Draiman probably offered significant feedback which Trivium considered, as several songs sound extremely Device-inspired.  In fact, lead vocalist/guitarist Matt Heafy utilizes vocal techniques signature of Draiman in several songs, especially “To Believe.”

That is not to say that this is not original material.  All of these new songs were clearly penned by Heafy, guitarist Corey Beaulieu, bassist Paolo Gregoletto, and drummer Nick Augusto.  Each musician excels with his performance, both individually and together as a band.  The dueling guitar solos in “Strife” showcase the capabilities of both Heafy and Beaulieu.  With very few screams from Heafy throughout the record, the lead vocalist is able to offer more of his sharp and clear clean singing within a relatively wide vocal range.

“No Way To Heal” includes both screams and clean vocals from Heafy with a song composition reminiscent of Shogun, thus becoming one of the better tracks on Vengeance Falls. It almost sounds like it could have been a B-side from the Shogun recording sessions.

Other key focus tracks are “Brave This Storm,” “Through Blood and Dirt and Bone,” and “Villainy Thrives.”

Vengeance may be falling for this maturing group of young men, but Trivium’s potential is once again rising.

 

MusicTalker’s rating: 4/5

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